Royal Opera House

★★★★ The Guardian
★★★★ The Telegraph
★★★★ The Stage

‘So funny… Almeida’s direction makes the most of the latent surrealism in the story’ Telegraph

‘Pure Carry On… Almeida’s artful playing with notions of dress and gender that are superficially entertaining, but which can be read as deeper and more analytical’ The Stage

‘Something primal is stirring in Almeida’s dolls house’ Arts Desk

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